RED 7 written by Richard Huber and Nic Farra, presented by Burning Airlines.

The Great Hall, October 26, 8pm. Running time: 2 hours 45 mins.

Directed by Richard Huber. Reviewed by Michael O'Brien.

Deep in the 21st Century and four and half light years from Earth, the feeble peasant population of planet Red 7 seek solutions to the repeated plundering of their annual harvest. Their answer lies in a mixed bunch of seven hard-nosed, cybernetically-enhanced warriors who lead the farmers against their oppressors.

With all the colour, action and inflated characters one would expect from a comic book or a sci-fi movie there is much to recommend in this innovative, exceptionally well-produced show.

The cast (Lizzie Cook, Patrick Duffy, Stelios Yiakmis, John Hudson, Chris Harding, Sarah Franks and Nic Farra) put in nearly three hours of intense physical commitment. They run, shuffle and leap over every centimetre of Trudi Urlwin's magnificent, towering set.

The Japanese influence of theatre forms and martial arts, in the stylised poses (given a New Zealand flavour), masks, fans and the idea of the Samurai warrior, adds much visual interest.

The use of laser technology combined so well with stage smoke, especially in the effective beginning. Costumes (Clare McInnes) were colourful and interesting. Music and sound effects, while occasionally intrusive and delaying action, intensified the atmosphere greatly.

Acting was mostly good, always over the top as the production demanded, and sometimes spectacular, as with John Hudson's frenzied portrayal of the maniacal Buzz.

With all these plaudits, it may seem churlish to say that it did not totally satisfy. Furthermore, it was difficult to assess just what the production was missing.

It wasn't only that it was an old, familiar story in a new setting nor its excessive length. Certainly, the script was ordinary and language did not inspire. Good science fiction challenges the mind as well as entertains.

For its strengths, its boundless energy and its imaginative over all concept it deserves support. With dramatic cutting and developing dialogue it would have greater audience appeal.